Zulu
Winter's song title hereby acknowledged, there is a certain magic in words. The
tongue has no bones yet its muscular strength is such that it can strangle a
heart, disarm a rival, cut down another's pride, and easily deceive. But
perhaps it is silence that speaks the loudest. Like the proverbial elephant in
the room, silence over issues, and silence over another's passions, and silence
over another's missives, and silence sitting still in the theatre of life is
sometimes the hardest silence to distill of all. We are essentially reciprocal
beings. Our eyes gleam with response. Our chemistry dances, or not. Our bodies
turn toward that with which we agree, and however subtly will deflect that with
which we do not. We do not necessarily need words. We do not even have to write
back. Even across vast distances, as ephemeral as string theory, or the quantum
flip of mercurial counterpoints, there is a thread in the tapestry of our
continuum that is apprehended, subconsciously, overtly, or perhaps not at all.
Even the scoffer has somewhere, deep down, a consciousness of this. Or else why
silence the dismissal?
Words can
discombobulate. They can invade the interstices of the made-up-mind and slowly,
or perhaps even immediately, obfuscate the paradigms of the heretofore. So too
may our perceptions. It does not always take education to understand another.
It does not necessarily take fancy concepts or esoteric meanings or ontological
word-smithing. It takes our own perception. For instance, Emails addressing me
by my first name only (a convention dispensing with the 'Dear') I construed as
coming with an annoyed tone. As in: Richard, eat your vegetables! Or: Richard,
I told you not to wear that tie. Rather silly of me, I confess, and I've worked
away at hearing the peremptory when seeing such mail. So I put a voice to the
addressee, and I imagine them being loving, caring, kind, considerate, well
intentioned. The problem is never someone else's; the problem is neither
outside nor inside; the problem is only in my insecurity, in my inability to be
larger than the moment, in my lack of integration, absorption, assimilation,
inclusion, and understanding. The problem is most assuredly in my limitations
of perception.
Make your
word impeccable. It is the first principle of The Four Agreements, by Ruiz. It
is not easily done. We use words as tools. And our silence we can use even more
so. In the meantime, there is all the misinterpretation of the perceptions. The
famous word one uses for example is 'house'. We each have quite a different
picture in mind when hearing it. Now extrapolate the concept into 'bottle',
'cake', or 'love'. How about 'dearest'? With what power do we not wield words?
And who but for the grace of being understood do we not beg for reciprocation?
Ever been in a foreign country where your own language sounds like
bird-twitter? Or is it theirs that makes for a monkey's chatter?
Simple
words. Honest words. Straightforward words. That's what Hemingway would have
advocated. He shot himself. Where is there a paradigm that is not phallacious?
Why can I not use that spelling? Language itself changes and adapts and
measures the progress of mankind. Imagine if we never invented Anglo Saxon. Imagine
if we never interfaced. Imagine if our words were utterly silenced and we were
able to transfer our very thoughts. Ha! What difficulties of reception might we
then not engender? In the meantime, I send these words to you, my dearest
friend, with all my love. Received?
You are heard and seen and felt deeply in the bosoms of those you lift with these worthy wisps o' wisdom!
ReplyDeleteThank you, Paulos. You are consistently as one for whom the bell tolls; one does not ring it in vain. Thank you.
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