"I don’t care how spiritual you are. How long you can melt in the sweat lodge. How many peyote or ayahuasca journeys that have blown your mind, how many master plant diets you’ve done or how well you can hold crow pose. I don’t care what planets fall in what houses on your birth chart, or how “silent” your meditation is. I don’t care how many crystals you have or how long you’ve gone without sugar, salt, spices or sex or how vegan your diet is.
Sunday, October 25, 2020
A Canon of Conflictual Contentions?
Thursday, October 8, 2020
Garnering The Grail
We
search. Some know not what for. Some have a clear idea. A thing can preoccupy
our energy. Be it a horse, or a buggy, or a book, or an 'other'. Something outside
of oneself can represent The Grail, and our pursuit of such may become an
obsession. We can discard communication, huddle into ourselves, and search
seemingly without distraction for the object in mind. We want what we want. And
as the saying goes, “Be careful what you want; you just might get it.”
Others may pay the price for our perseverance. Others can be left on the sidelines, kept in the dark, and be not privy to our peregrinations. The Grail takes on so many meanings. It becomes a symbol, a stand-in for the actuality of the ancient vessel (purported to be used by Jesus at the Last Supper.) Medieval knights made it an enduring relic, ephemeral, insubstantial, and ultimately unobtainable. No one person could own it; it became the stuff not only of 13th century legend, but of the present journey toward enlightenment. And as such, throughout history, it became an object in itself, without which we are bereft of fortune, destitute in our dissatisfactions, and incomplete in our journey. We forget that the present is the time warp of temporal disintegrations, in which an infinite present coalesces with the future, as well as the past, always. And whilst en route in our search for such a Grail we may too easily forget our friends, our companions, our family, and even our other interests
Give me leave for digression. When directing for theatre I was at liberty to insert ‘the mystical object’ onto the stage. In Little Women, to give a reason for entering the room, I had Marmee come in with one slipper, tapping her free hand with it as she searched while dispensing advice: “I'm not patient by nature, but with nearly forty years of effort I'm learning to not let it get the better of me.” In Pirates of Penzance, I had 20-year-old Frederick come off the ship with his teddy bear, the which he protected, until he met Mable. In Camelot, I had Pellinore, the rusty knight in search of The Grail, emerge from the forest with his pet dog, a makeshift of rope and sticks; (not with a real dog, who stole the show in the professional production I once saw with the famous Richard Harris.) And in the Savoy Opera, Iolanthe, I again had a teddy bear, searched for and then lovingly found by Private Willis, the lone Sentry, as he sings: “When all night long a chap remains on sentry-go, to chase monotony he exercises of his brains, that is, assuming that he’s got any. Though never nurtured in the lap of luxury, yet I admonish you, I am an intellectual chap, and think of things that would astonish you.”
The point is, The Grail, for each of us, has a different value. And given the now for now of our lives, we obtain, grow used to, take for granted, and even discard the many grails of our passage as we grow in years, yet not necessarily in wisdom.
Symbolical, intuitively unobtainable, The Grail is understood not so much as an object, but as that quality of being ‘happy’ with what one has found; or even better yet, at peace with where one is at. It is as the poet, Robert Browning, puts it: “Ah, but a man's reach should exceed his grasp, or what's a heaven for?”
Still, the contention is, one would be better off not entirely to be fixated. The solo journey of a Pellinore of Camelot renders him a little ‘mad’ and comical; and harmless though he is, he becomes unsure of Arthur's new ideas for a new order of chivalry, being against "... any new ideas" on principle. No, one is best to keep moving, rather than resting on one’s laurels, indeed.
Tuesday, August 18, 2020
Eye for an 'I'
Signs
of the self are everywhere. Each time we use an ‘I’ statement, I aver, we subtly
surrender objectivity for subjectivity. Difficult not to, since every
observation, sensation, feeling, touch, taste, and smell arises directly from our
apprehension of particularities. (Even when most empathetic, we are hardly able
entirely to see another’s point of view.) Yet, as I know, an ego preserves boundaries;
we have a lifetime of experience, at whatever age. We live in terms of a relationship
to persons, to things, and even to our geography. Our entelechy, or
degrees of inquisitive energy, propels us. We assimilate, at once selfless and selfish,
subordinating our selfhood to desires, proclivities, preferences, and wants. Yes,
I know, “But, I am me.”
Yet if I begin and end here, and you are there, how can we really be ‘One’? What’s with the ‘third eye’? What’s with the Collective Consciousness, an Ubermensch? How can we be an admixture of individual souls as interdependent as the molecules of the sea, each subject to the vicissitudes of tide and time? How can my energy, like all energy, not actually die, but simply become transmuted into the collective whole? Surely, I shall retain my own identity! Still be me? Yes, belief, assurances, and inexactitudes are yoked in streams of traditionalisms that define groups, sub-groups, and the individual: I believe. (Closely aligned with ‘me,’ can also be a ‘we.’)
Where the subtleties of ‘self’ arises (and here I do not speak of narcissism,) there is the propensity to project onto others the subjective sensations of the self in our given moments, in thought, feelings, attitudes, or even beliefs. Because you do not appear to feel the same, we are not kismet. Because you do not think the same, we are not compatible. Because you have so much passion about this, or that, and I don’t, we are not commensurate. And because you believe in this, or that, politically, religiously, or even traditionally, we cannot easily share, or even communicate. I am different from you. You are different from me. Let’s leave it that. The one who is rightest gets to feel like the winner. The other, being less right, more wrong, or decidedly put out to left field, simply is not to be included into my oeuvre of connections. I do not wish to abide with him, or her. I cannot share. I cannot easily communicate. And my time is precious; I do not choose to waste it. “I feel that...” and so on. Indeed, our disinclinations, we honour.
Peace comes dripping slow. Enlightenment would have one become more and more accepting of every moment, of every person, of every thought, of every contention, of every philosophy, of every... well, of everything. (And which part of Everything is not?) But ‘I’ can get in the way. I am irritated. I am disgruntled. I am discombobulated. I am inaccurate. I am guilty, shallow, avaricious, greedy, and impatient. As the song goes: “Let’s talk about me!” Yet narcissism aside, the subtlety of our self-involvement perpetuates as we bring reference to everything around ourselves from our own point of view. It naturally is so. But at issue here is that the degree of compassion we most can exhibit, resonate with, feel at core, is dependent on our instinctive and intuitive connection to others. We are relational. We are ‘the family of man.’ Still, self-preservation, self-sufficiency, selfishness, self-interest, selfhood, and self-indulgence pervades.
“Do not take anything personally,” (according to The Four Agreements, by Don Miguel Ruiz.) Paradoxically, an integrity of self-hood allows for not needing, seeking, wanting, or caring about the approbation, approval, applause, reciprocity, or flattery of others. It is a sufficiency unto one-self. My spirituality. My progress. My health. My worth. My interests. My self. Still, as Morrie (on a given Tuesday) asks, I do wonder if I can settle for being ‘fully human.’ Ha! All are but components in a universal whole, I think. Now then, as for you? What do you say, eh?










