"I want to know what you're thinking. Tell me
everything," Samantha's character implored from the movie screen. And
sitting there in the dark with just the rectangular light from HER, as if shone
upon by a Golden Mean, I thought, "No way." And then wondered why I
would withhold from anyone asking me such a thing. It dawned. It is that I
cannot trust their unconditional positive acceptance. The listener would be
shocked, horrified, dismayed, disappointed, or even disgusted that I was thinking
this or that, perhaps, particularly if I were to haul up things from my rites
of passage toward this, my seventh decade of life. We have our secrets. We have
our private thoughts. We have our working things out that others do not have
the privilege of knowing. "See, Icarus," they would say, as we fell
from aspiring toward stardom on our wings with their bindings of wax, "I
told you you were up to no good." But they do not see or are not
necessarily there when one day we pilot the Concorde. "That Peter, always
playing at planes; what a waste of time," someone unthinkingly may level
at him, and then go away. And when Peter finally is airborne, he has just
himself to congratulate. His naysayers are not there. His parents are no
longer. His family is disassociated. His achievements are forgot.... "Tell
me, what are you thinking?" How does one relate one's every abstraction,
those ingredients headed in the present from the past toward some eventual
product? Not all things are consciously managed. (And yes, my father did want to be a pilot.)
When the two women met there was much they could not, did not
reveal. For 44 years of the younger one's life her very existence had been kept
a secret. The older, the second wife of the younger one's father, had never
been told. The father had been abandoned, some seven or eight months after the
girl's birth from his in-between marriages. He was not permitted to see or
contact the child by her mother, and by virtue or dint of circumstance and time
and geography, the little girl grew up thinking her daddy dead. The father,
having lost all contact, never revealed his paternity. He already had had three
sons, and then later had a fourth, but not once did any of these boys know they
had a sister. Not until she was 44. Not until her mother died. Not until she
was told afterwards by her aunt that her father was still alive, and that she
had some brothers. And only when an announcement came over Springbok Radio that
she was looking for them did all get revealed. Well, not all. The older woman
in the picture, above, the second wife of the father, was not told it was her
husband's daughter; she was informed that the younger woman was a cousin, or
some such thing. Her feelings were to be spared. People have instincts, have
reasons. But it was not until the father's death, eighteen months after he and
his daughter had been reunited, and even then perhaps a year later, that the
older woman and her husband's daughter were able to sit together in the truth of
their circumstances. And now, years later, as irony would have it, that daughter
is part of the older woman's chief support systems. They were robbed of 40 odd
years of knowing each other. Could they have handled the interim? Could the
sons have handled the knowledge of their sister? Tell me. Would the truth have
spoiled things?
"Tell me what you're thinking. I want to know
everything."
Why do we demur? One person holds so very much power when they do
not accept, integrate, allow for, have compassion, have patience with or
tolerate another. It is necessary that there be a stickler in a twelve person
jury. It is necessary that there be discourse over disagreement. It is
necessary that there be truth when lies harm. We do not want Idi Amin to commit
genocide without our knowledge. We do not want... We do not want people to know
all about ourselves. We have privacy. We have secrets. We have closets. We have
a past. We live in a state of great vulnerability; persons may forever hold us
accountable for the record of that which we did when we were 12, or was it 17,
or... "Tell me what you're thinking. I want to know everything."
"No way!" I think. Now tell me, will you hold that much
against me too? Surely, acceptance is all.
A lonely writer develops an unlikely relationship
with his newly purchased operating system that's designed to meet his every
need.
Director:
Writer:
Stars:
Richard Michelle-Pentelbury This movie, HER, is really worth taking in, friends. Exponential integration of technology with biology is indeed already upon us, and Ray Kurzweil's concept of The Singularity (a 2005 book) is a virtual certainty. The movie is a fascinating and mesmerizing exposition of psychological, intellectual, and emotional marriage between man and computer; a progression beyond the remoteness of HAL (2001) to the immediacy of one's most private domains. (While I was watching one older lady got up, approximately a third of the way through, and on leaving let all and sundry know that it was the biggest load of trash she'd ever seen. A man in love with his i-phone! Ha! I can give it no higher recommendation, by contrast.)
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